Acting Executive Producer of the National Arts Festival, Nobesuthu Rayi believes Festival goers are going to be challenged, amused and inspired by this year’s Main programme.
The dizzying rotation of newsfeeds, non-stop change and the struggle for something newer, more connected and as yet unborn, is played out in the works on the National Arts Festival’s 2019 Main Programme, which is selectively curated by the Festival and its Artistic Committee.
Held in Makhanda (formerly Grahamstown) from 27 June-7 July this year, the Main programme forms part of a much broader offering of uncurated, unsolicited works and multiple focus areas for discussion and experience. It is a richly stimulating and thought-provoking journey through some of the issues at the top of artists’ minds and makes for a deep dive into what South Africa is grappling with and can reimagine if it has the will.
Core to the mood of the 2019 programme is a desire to reflect on identity. From the rich celebrations of indigenous African music and dance to reworkings of classical and contemporary pieces, there is a desire to explore culture and connection, land and belonging. As if a talisman for this journey, 2019 Standard Bank Young Artist for Dance Kitty Phetla has collaborated with 2015 Standard Bank Young Artist for Jazz Nduduzo Makhathini in GOING BACK TO THE TRUTH OF SPACE (Dance); a submersion into ritual and a struggle for restoration that also merges the talents of two artists who are separate but connected through intention.
The louder voice of Afro-centric and Afro-celebrant themes is echoed on through numerous works such as Jefferson Bobs Tshabala’s EKASI LAM – AN ODE TO KWAITO, UN-OWED TO KWAITO (Theatre), which takes the audience into the heart of township life, and AMAWETHU (Dance) that challenges slave-era stereotypes of traditional African spirituality as demonic and asks that we reconnect with our true culture.
Nowhere is this growing affirmation of African culture and identity louder than on the music programme, which is filled with music from the African continent and a blending, remixing and repurposing of Western, contemporary or classical music into this landscape. From INGOMA KA TIYO SOGA, a collaborative exploration of the 160-year-old works of intellectual, composer and evangelist Tiyo Soga by visual artist Sikhumbuzo Makandula and singer/songwriter Mthwakazi to
The Divas are joined by the Kwantu Choir, a combination of Rhodes students and the voices of the residents of Makhanda’s Rhini and Joza townships. The Eastern Cape Philharmonic Orchestra will present the GALA CONCERT and the SYMPHONY CONCERT. Also among those taking to the stage are South Africa’s globally recognised performers LADYSMITH BLACK MAMBAZO, THE DRAKENSBERG BOYS CHOIR, MAFIKIZOLO, the SPRINGBOK NUDE GIRLS and FRESHLYGROUND, to name but a few.
Moving to finding the humour in our very unique circumstances, South African comedians will sound out our nation’s psyche in THE VERY BIG COMEDY SHOW, hosted by Rob van Vuuren and featuring Loyiso Madinga, Tats Nkonzo, Mojak Lehoko and more.
CONTINUING CONVERSATIONS (Visual Art) challenges notions of who sees art and where, and considers the juxtaposition of power and powerlessness, identity and body politics, perceptions of the other and the exotic, memory, and the masks we wear. The exhibition is made up of about 40 works that have been selected from the extensive collections of the University of Johannesburg and MTN. Artists on show include Gerard Bhengu, Reshada Crouse, Wilma Cruise, Phillemon Hlungwani, Maggie Laubser, Judith Mason, George Pemba, Cecil Skotnes, Irma Sternand Edoardo Villa.
Featured Artist 2019, Berni Searle will bring a number of works to the Festival as part of this spotlight on the career of an extraordinary South African artist.
The contemplative and emotive voices of our storytellers resonate throughout the programme with personal stories of pain and resilience. From 2019 Standard Bank Young Artist for Theatre Amy Jeptha’s haunting time-travelling journey into the memory of displacement and the restitution in ALL WHO PASS (Theatre) to a story of searing grief and silence through two characters in Gopala Davies’s MOONLESS (Theatre). Former Standard Bank Young Artist for Theatre (2018) Jemma Kahn takes it left-field as a scientist befriends a virus in CELLIST WITH RABIES (Theatre).
Literature, history and iconic people have caught the imagination of many artists as they tackle some of the big themes these events and visionaries have given us: from Magnet Theatre G7’s raw and emotional retelling of the country’s excavation of secrets at the Truth and Reconciliation Commission in OKWE-BOKHWE (Theatre) to ANGOLA/CAMP 13 (Theatre), a brave and unflinching look at the abuses of power and human rights within the heady times of Umkhonto weSizwe’s training camps, written by Sello Maseko.
Artists on the Arena explore the works of Kafka in UJ’s play METAMORPHOSIS and timeless playwright Zakes Mda’s THE MOTHER OF ALL EATING with Nhlanhla Mkhwanazi and Luntu Masiza. Mda also inspired award-winning playwright and director Thembela Mdliki’s new play, WHERE SHE WALKED.
Brett Bailey’s much-anticipated SAMSON (
The continuing merging and blending of genres and the growing influence and creative possibility of technology is evident through an exciting streak of productions running through the programme,some of which form part of the Creativate Digital Arts Festival, which runs throughout the Festival this year.
DEURnis/UZWELO (Theatre) is a highly experiential piece of theatre between one audience member and one actor. Audience members spend 20 minutes in each room of the piece for a total of 100 minutes of immersion. SWARM THEORY is a playful investigation into the possibility of a collective human intelligence and will take place as public art on the streets of Makhanda.
The old Power Station will be utilised for ARCADE (Performance Art), a durational, live-art performance curated by Gavin Krastin that sees audiences interacting with the performances as they happen. UK creative company Curious Directive brings FROGMAN (
South African born Mira Calix returns to the country to present IN SITU (Music). Calix sees music and sound as sculptural material and, in this work composed of two pieces, uses data to inform musical composition.
Among other international contributors to the Festival are:
Irish comic Dylan Moran, who holds the Festival’s record for selling out his show in the fastest time. He returns to town with a new work, DR COSMOS (Comedy). Described as a comedic Oscar Wilde, his acerbic wit will be a tonic for many of us. I AM SOMEBODY (Performance Art) by Swedish company Sirqus Alfon is a “high octane, electro clown ride through a bizarre post-internet world”.
American actor and playwright Stephen Fales brings CONFESSIONS OF A MORMON BOY (Theatre) to the Festival. Inspired by his own true story, it follows the experience of a sixth generation Mormon who is excommunicated from the church when he comes out as gay. Sexuality and acceptance is also in the spotlight in PINK MONEY (Dance), a collaboration between Swiss, Dutch and South African artists.
Both of these works will resonate with the exciting new South African voice at #NAF2019 —the winner of the Distell National Playwright Competition, Koleka Putuma, who will interrogate structures and beliefs through her first adventure into playwrighting in NO EASTER SUNDAY FOR QUEERS (Theatre).
German-Chinese choreographer Hannah Ma explores rituals that transcend cultural boundaries in WANDERER (Dance) and also brings a light-hearted, poetic interpretation of the ballet Les Sylphides in SYLPHIDES to the Main dance programme. Nigerian dancer, choreographer and activist Qudus Onikeku presents SPIRIT CHILD, another piece inspired by a literary work — this time Ben Okri’s classic,The Famished Road.
The Main Curated Film Programme, selected by Katarina Hedrén, is a journey across time and place. Many of the films on offer are African in both content and origin but otherwise tackle multiple ideas and stories. A series of musical documentaries include a fascinating look at the life of Afrobeat creator Fela Kuti in FINDING FELA (2014) and GIMME SHELTER (1970),labelled ‘the best rock film ever made’, Classical fans will enjoy contemporary films of the exquisite productions of FAUST and THE TAMING OF THE SHREW from the Royal Opera House Collection. The first ever SARAH BAARTMAN FILM FESTIVAL will host workshops conducted by filmmakers from 1-5 July and the young residents of Makhanda will enjoy the NOLUTHANDO BIOSCOPE – showing current favourite films for small people.
The Student Theatre Programme again creates a space for the critical outputs of student theatre makers with a strong offering from several South African institutions and private colleges.
Acting Executive Producer of the National Arts Festival, Nobesuthu Rayi, says, “I would venture that Festival goers are going to be challenged, amused and inspired by this year’s programme with its many layers and textures. Many of us will find ourselves meandering between ‘then’ and ‘now’ with a combination of past reflections and the unsettling present as we try to figure out what next for humanity and the country we call home. We are proud to be presenting such a carefully selected program with different shades and textures covering such range – from entertaining to thought-provoking – creating a holistic experience. It’s an experience I look forward to sharing with you.”
As the Festival celebrates its 45th year, one of its longest standing partners is Standard Bank. Desiree Pooe, Head of Group Sponsorships at Standard Bank commented on the 2019 National Arts Festival: “On this 35th anniversary of our partnership with the National Arts Festival, we cannot wait to delve into and savour the delights of the 2019 offering. From the Children’s Festival to the Creativate Digital Arts Festival, the 2019 Standard Bank Young Artists’ solo productions, world-class jazz, theatre, visual arts, dance and contemporary music productions, the National Arts Festival will once again take us to a higher level. On behalf of Standard Bank, I encourage you to experience, engage, enjoy and show your #AfricanheART.”
MORE ABOUT THIS YEAR’S FESTIVAL
A PDF of the Main Programme is available on https://www.
nationalartsfestival.co.za/wp- content/uploads/2019/04/NAF19- Main-ForWeb.pdf The Fringe programme, Creativate and more will be added until the full programme is complete by the time bookings open on 7 May 2019.
This year, printed programmes will be available to purchase online for R75, excluding delivery. It will be available from takealot.com during May — watch the Festival channels for these announcements.
Festival fans wanting to plan their trip can get some handy tips from the National Arts Festival’s website.
About the Artistic Committee ChairBrett Bailey
BRETT BAILEY is a Cape Town-based playwright, director, designer and installation maker, and the artistic director of THIRD WORLD BUNFIGHT. His works tour extensively internationally. He is the chairperson of the curatorial committee of the National Arts Festival; has served on several international theatre juries; was the recipient of the 2001 Standard Bank Young Artist for Theatre, and received the gold medal for theatrical design at the Prague Quadrennial in 2007. He wrote the International Theatre Institute’s World Theatre Day message for UNESCO in 2014; and was awarded the Chevalier des Arts et des Lettres (Knight in the Order of Arts and Letters) by the French government in 2019.
DanceDavid Thatanelo April
DAVID THATANELO APRILis a director, teacher, choreographer and lobbyist in the realms of South African dance and performance with over two decades of experience in the creative and cultural industries. Currently Creative Entrepreneurial Officer (CEO) of David April Arts Consultancy, he continues to be an independent consultant, and, with his longstanding knowledge of the performing arts, he continues to be a dedicated mentor and advisor to many other young dancers and internationally acclaimed choreographers. He has a proven track record of leadership and success in dance and associated areas, and has a reputation for innovation and excellence. As such, the Consultancy has been focused on improving clarity of purpose, management and financial sustainability of cultural organisations, exploring partnerships between the private, public and non-profit sectors, which allow the development of creative industries.
Visual and Performance ArtErnestine White-Mifetu
ERNESTINE WHITE-MIFETU is currently the Director of the William Humphreys Art Gallery. Her experience within the arts sector has seen her showcasing the creative production of South African and African artists on local and international platforms. She has a keen interest in developing the appreciation of the visual and performative arts to younger audiences through the curation of innovative exhibitions and public programmes that present opportunities for dialogue around the lived realities of artists in the past and contemporary African societies.
JAMES WEBB is a South African artist based in Cape Town and Stockholm. His work, framed in large-scale installations in galleries and museums, or as unannounced interventions in public spaces, often makes use of ellipsis, displacement and détournement to explore the nature of belief and the dynamics of communication in our contemporary world. Webb’s practice employs a variety of media including audio, installation and text, referencing aspects of the conceptualist and minimalist traditions, as well as his academic studies in advertising, comparative religion and theatre. Webb has presented his work around the world at institutions such as the Art Institute of Chicago (USA), the Yorkshire Sculpture Park (United Kingdom), and the Darat al Funun in Jordan, as well as on major international exhibitions such as the 4th Prospect Triennial of New Orleans (2017), 13th Biennial of Sharjah (2017), and the 8th Biennale d’Art Contemporain de Lyon (2007).
Theatre and Performance ArtLara Bye
LARA BYE is a prolific, versatile and multi-award winning theatre director and educator whose work travels extensively locally and abroad. She directs across genres from Opera to physical comedy, large scale outdoor events and more intimate dramas in both English and Afrikaans. Very committed to growing and developing new South African texts she has worked closely with writers in staging 13 new plays. Her productions have won and been nominated for over 70 theatre awards over the last 15 years.
Her latest Afrikaans production Die Reuk van Appelshas played to critical acclaim and full houses around the country and winning Best Director/Best Production and Best Actor at the national Fiesta Awards. As a passionate educator she has lectured in theatre and actor training at the University of Durban and the Drama Department of Cape Town University as well facilitating many acting/performance/movement workshops, including for the Afrovibes festival in Holland and the UK. Lara is currently a permanent lecturer in the Live Performance department at AFDA in Cape Town. She has a Master’s Degree with distinction in Theatre Making from the UCT Drama Department, and spent two years studying with Jacques Lecoq at his school in Paris.
KATARINA HEDRÉN is a film curator and writer. She was the director for the 2016 and 2017 editions of the European Film Festival in South Africa, co-curates First Wednesday Film Club and was recently a member of the selection committee for the 2018 edition of Berlin Critics’ Week. She writes about and reviews film for various platforms and is a contributor to the anthology, Gaze Regimes – Films and Feminisms in Africa (Mistry & Schuhmann, Wits University Press, 2015)