Grocott's Mail
    Facebook Twitter Instagram
    Friday, December 5
    Facebook Twitter Instagram
    Grocott's Mail
    • NEWS
      • Courts & Crime
      • Features
      • Politics
      • People
      • Health & Well-being
    • SPORT
      • News
      • Results
      • Sports Diary
      • Club Contacts
      • Columns
      • Sport Galleries
      • Sport Videos
    • OPINION
      • Election Connection
      • Makana Voices
      • Deur ‘n Gekleurde Bril
      • Newtown… Old Eyes
      • Incisive View
      • Your Say
    • CUE
      • Cue Archives
    • ARTSLIFE
      • Makana Sharp!
      • Visual Art
      • Literature
      • Food
      • Festivals
      • Community Arts
      • Going Places
    • OUR TOWN
      • What’s on
      • Spiritual
      • Emergency & Well-being
      • Covid-19
      • Safety
      • Civic
      • Municipality
      • Weather
      • Properties
        • Grahamstown Properties
      • Your Town, Our Town
    • OUTSIDE
      • Enviro News
      • Gardening
      • Farming
      • Science
      • Conservation
      • Motoring
      • Pets/Animals
    • ECONOMIX
      • Business News
      • Entrepreneurship
      • Personal Finance
    • EDUCATION
      • Education NEWS
      • Education OUR TOWN
      • Education INFO
    • EDITORIAL
    Grocott's Mail
    You are at:Home»ARTS & LIFE»Music to restore, rejuvenate and connect us
    ARTS & LIFE

    Music to restore, rejuvenate and connect us

    Benevolence MazhinjiBy Benevolence MazhinjiAugust 14, 2025Updated:August 19, 2025No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email
    Asakhe Cuntsulana. Photo: Benevolence Mazhinji

    ‘Ingoma yoHadi’ Music Concert – Asakhe Cuntsulana
    REVIEW
    By Benevolence Mazhinji

    When Asakhe Cuntsulana’s voice rose with the first notes of Yesu wena Ungumhlobo, a song which says ‘Jesus, you are a friend / A soulmate’, the entire audience chimed in almost immediately without needing to be prompted to sing along. That is how atmospheric Ingoma yoHadi, yesterday’s music concert in the Beethoven Room, was — more of an open invitation for each of us in that room to actively contribute to that sacred experience. This song captured the heart of this concert so perfectly, with Cuntsulana’s voice being the friend who guided us through each song that had been prepared for us.
    The golden thread of friendship and kinship was also carried by Ngqiqo Mlokothi, who recited a poem about love and divine friendship. In the poem, the speaker reflects on being chosen as friend and family, and marvels at the depth of that bond. The poem mirrored the intimacy and warmth of the event’s celebration of connection.
    In an interview, Cuntsulana shared his core philosophy, which is that music is boundless and is a universal language. He believes that music can transcend traditional categories like genre or origin, allowing him to connect directly with people on an emotional level regardless of their background. “I am not playing African music, I am simply playing music,” he said.
    Throughout the show, he experimented with unconventional sounds and combined instruments not traditionally paired, such as the trumpet and an African string instrument like the adungu (Ugandan harp). Even when he sang Ideale, which is a romantic Italian song composed by Francesco Paolo Tosti in 1882, I was still able to connect with the song despite not understanding the lyrics.
    With this concert curated with friends and collaborators, Cuntsulana aimed to restore what has been lost, to rejuvenate what is weak, and to use the music as a mechanism for us to reflect on ourselves.
    The show closed with the upbeat Shona song, Mambo Wemadzimambo, which means ‘King of Kings’, and joy filled the room as everyone danced, clapped, and sang along, swept up in the energy that had been so carefully cultivated. It was a moment of collective exultation, a fitting finale to a concert that had celebrated friendship and the boundless power of music.
    Asakhe Cuntsulana is a visionary musician from kuGatyane, Eastern Cape, known for blending African indigenous sounds with jazz and classical influences. He has performed at major festivals, including the National Arts Festival and Umtiza Festival. As founder of IThala leAfrika, Asakhe is committed to cultural preservation, using music and art to safeguard indigenous knowledge.

    Previous ArticleGeography students map the city’s trees
    Next Article WOMEN’S MONTH PROFILE: A beacon of hope for Makhanda’s children
    Benevolence Mazhinji
    • Website

    Comments are closed.

    Latest publication
    Search Grocott’s pdf publications
    Code of Ethics and Conduct
    GROCOTT’S SUBSCRIPTION
    RMR
    Listen to RMR


    Humans of Makhanda

    Humans of Makhanda

    Weather    |     About     |     Advertise     |     Subscribe     |     Contact     |     Support Grocott’s Mail

    © 2025 Maintained by School of Journalism & Media Studies.

    Type above and press Enter to search. Press Esc to cancel.