By Ruvesen Naidoo
Audience members take their seats to the rhythmic beats of Miriam Makeba’s ‘To Those We Love’. The actors are already sitting on the stage ready to begin. It is an odd scene, and we are unsure what to expect.
Written and directed by Thabang Gabogope, Going to fetch Ahmed Kathrada, hints at an unveiling of something new, something thought-provoking that would leave a lasting impression, but as the story unfolds it becomes clear that the title creates false expectations.
The narrative is based on true events and follows the life of a widower whose daughter encounters racism at school, tackling the societal injustices stemming from apartheid, particularly in Gauteng, where the political activist Ahmed Kathrada was born.
The opening scene has its moments of promise. The cast showcase their talent, delivering their lines with precision and passion. However, as the narrative continues, it is apparent that the show lacks a depth and substance that both its title and description suggests.
The plot touts as groundbreaking and historically significant in a post-democratic South Africa, but falls short of its ambitious goals. It dances on the surface of profound ideas but struggles to fully explore them. The characters remain one-dimensional, and the promised layers of meaning remain elusive.
While there are a few experimental elements, in terms of stage movement and storytelling, they feel disconnected from the overall narrative – mere afterthoughts. These moments lack cohesion, feeling more like distractions than genuine attempts of providing clarity.
Apart from the performance’s frustrations, the hard work and dedication of the two-man cast and crew deserve acknowledgement. They display moments of talent, commitment, and technical prowess but are ultimately let down by the structure of the overall production. “Was it just me, or were you also confused during the show?” says an audience member exiting the theatre.
Ultimately, Going to fetch Ahmed Kathrada serves as a reminder that a captivating title alone cannot guarantee a remarkable theatre experience.
