Eastern Cape children craft ‘letters’ of hope to Gaza

In a powerful display of resilience and creativity, six youth artists from Tikinini, an Eastern Cape informal settlement, take centre stage in the moving dance-theatre work, Letters to Gaza. Directed by the acclaimed Chuma Sopotela, this performance captures the struggles and hopes of children affected by conflict, and draws parallels between the experiences of Gazan youth and those of South African communities.

Letters to Gaza serves as a living testament to the strength and spirit of these young artists, who have faced significant challenges. Rooted in the South African township dance style of pantsula, the piece reflects their backgrounds, combining movement, rhythm, and raw emotion to convey messages of solidarity, hope, and courage.

The artists, hailing from informal settlements, have found a platform to express their voices through collaboration with Jika Uluntu, a grassroots arts organisation. Their passion and dedication to the arts have propelled them to new heights, allowing them to share their experiences and connect with broader social issues.

Chuma emphasises the importance of understanding one’s environment: “If children understand their environment and society, they will be able to reposition themselves.” By integrating their personal narratives into the performance, the youth create a powerful dialogue that resonates deeply with audiences, highlighting how art can serve as a means of understanding and healing.

Chuma’s vision for Letters to Gaza encapsulates a message of hope: “It’s about sending the message even in as simple as the vibration of a dance.” This sentiment serves as the heartbeat of the performance, urging viewers to listen and engage with the stories being told.

Premiering at the 2025 National Arts Festival, Letters to Gaza represents a significant milestone for these young artists. Their participation not only showcases their talent but also highlights the transformative power of the arts in fostering social change. Through mentorship and collaboration, they are paving the way for future generations of artists, proving that even in the face of adversity, creativity can flourish. Chuma says, “Find your voice and communicate with whatever it is that disturbs you in society.”

As they dance their truth, these young artists remind us all of the strength found in community and the importance of standing in solidarity with those who suffer. In a world that often silences the voices of the vulnerable, Letters to Gaza stands as a powerful reminder that art can bridge divides, inspire change, and ignite a collective movement toward a more just and equitable future.